For example, while Sony sells their A7III batteries for a ridiculous price of $78, there are several more brands that offer the same model for less than $50. Having said this, there are a couple of reasons why lens sharpness isn’t something you should worry about too much when choosing a portrait lens for the Sony a7III. On a related note, photographers who appreciate the finer qualities of a good bokeh – i.e. In fact, it is a little bit ridiculous. Thus securing it a well deserved place on our list of the best portrait lenses for the Sony a7III. However, there are cheaper alternatives, and not just from Sony - third-party brands like Tamron and Sigma also make great lenses for Sony mirrorless cameras. This can make choosing the right portrait lens for your particular style of shooting a bewildering task.Â. On the medium-budget side of things, there are two lines, both of which are good: Zeiss CP.3 (Amazon, B&H) Best budget lenses under $499 for Sony a7/a7II/a7III. Check out our top pick! Instead, a short telephoto (say one that’s between 80 and 120mm) will create a much more flattering perspective. If you like that look, it might just be for you. Or you’ll hear people raving about the beautiful round “bokeh balls” produced by a particularly prized lens. But just keep in mind that you could pick up a couple of copies of the Sony FE for the price of even the cheapest of these two alternatives. . They are also compatible with Hasselblad E-mount cameras. However, on this front you should be aware that there’s no weather sealing; you’ll need to pay out for the much more expensive Planar if you want a more durable standard lens with comparable optics. The lens has special Nano AR coating to suppress the annoyance of flares and reflections. While most photographers will not even notice the additional reach of the 90mm f/2.8 Macro (above), the jump from 85mm to 100mm that we get here will make a much more significant difference as far as portrait photographers are concerned; ideal for intimate headshots. If you’re a heavy flash user and rely on them professionally to be built to last, and fire and recycle as quickly as possible, the Sony-branded flashes such as the powerful and reliable Sony HVLF60M are the best option. The Laowa 10-18mm is a very small, wide and well-priced lens. Image sharpness is stunning even at f/1.4. In short, this is a beautifully well-made lens, capable of producing stunning portraits. Although there’s some noticeable flare, this is more controlled than with most macro lenses. Unless you are in the habit of positioning your subject at the edge of the frame, then, all that matters for portraiture is that the center is sharp. I'll take some at infinity and get out the microscope and see. Hope you find them helpful, don’t hesitate to leave a comment! Manual Focus Ring Needs Finer Adjustments, Ideal for Bird Watching & Nature Photography. The sharpness can hardly be described. Some of the most beautiful light for portraiture is to be found either very early or very late in the day, when the sun’s rays are at their weakest. We’d love to hear which models our readers consider to be the best portrait lenses for Sony a7III cameras. This means that with portraiture you can often get away with a marginally greater degree of softness in your images. This is not only a dedicated macro lens that is perfect for the a7iii, but it is also phenomenal for portrait photography. Sure, nobody wants to look at a blurry shot that lacks any sharp area of focus. 1. Good Thing Sony Alpha Blog posted a list of tested lenses they recommend for the a7RIV which will help you get the most out of the Sony a7RIV. This helps to create a much greater degree of subject-background separation, only further adding to the lens’s headshot credentials. Autofocus on the Sony a7III is excellent, and eye-AF in particular is a portrait photographer’s prayers answered. “Portrait lens” or not, though, if you’re simply looking for the best lens to shoot portraits with on the Sony a7III, the Zeiss 55mm f/1.8 should definitely be on your shortlist. It’s exceedingly heavy, and sticks out on the front of your camera twice the length of most other 85mm offerings. Others can struggle to keep up with even moderately fast moving subjects; particular in low light. This is not a lens to sneeze at. Most lenses for the Sony Alpha 7 series are produced by Sony itself, as well as by Zeiss. Nonetheless it will likely satisfy all but the most chronic of bokeh-obsessives. For a start, it’s well built and comes with weather sealing. Sony FE 50mm f1.8 Lens. To put it another way, you don’t get extreme swirling bokeh when shooting with a lens stopped down to something like f/11. Indeed, you might even be happy foregoing AF altogether in favor of manual focusing. However, this largely reflects the lens’s exceptionally sturdy build quality.Â. Everyone who owns one of these cameras is in love. Here we have another example of budget meeting performance. In any case, while there are a number of optical qualities that most people will agree are attractive (or unattractive), bokeh is to a large extent subjective. Sony 50mm f/1.4 ($1,498)Category: Travel/portrait. If you’re more interested in capturing expressive impressionistic portraits – with little more than the subject’s eyes in focus – than in shooting almost hyperrealist images that are tack sharp from front to back, then a fast maximum aperture will be essential in order to achieve a suitably shallow depth of field. Certainly, as the last light of day fades from the sky, getting blur-free handheld images can become a real challenge. However, everything on today’s list is about the same price, and they are all extremely versatile. Sony Alpha 7 lenses by third-party manufacturers. August 26, ... You can be certain that we will have plenty to criticize when we create the “The very best lenses for the Sony a7 series” article. Fast maximum aperture isn’t just about avoiding camera shake in low light though. After all, why go to all that trouble to produce stunning artistic images if they won’t stand up to closer inspection. This particular macro lens, while excelling at exactly what it’s supposed to, is also a phenomenal portrait lens and one of the sharpest lenses in terms of clear detail that Sony has ever developed. Various third-party lens manufacturers have released the following lenses for Sony E-mount cameras since 2010. Our webinars are always filled to the last seat. Subscribe to our newsletter and learn how to take awesome photos, and get tons of free stuff to make it faster, and easier! The zoom range is useful, the operation is always reliable, and for wide-angle shots, it is perfect. Although the Batis is not exactly a small lens, weight is nonetheless sufficiently controlled – so you could easily use this as a travel portrait lens if that’s your thing. This unit comes with built-in stabilization, incredibly accurate autofocus, and refined optics for the most stunning pictures. Well, while it’s entirely possible to shoot a fantastic portrait on absolutely any focal length of lens, it’s important to note that not all portraits are designed to achieve the same effect; some are meant to be fun, some to look cool, others mysterious, and many simply to show a a realistic likeness of the sitter. I blog and publish articles about camera lenses here at lensguide.io. This is a seriously impressive lens with state-of-the-art optical design. The f/1.4 G Master comes featured with an advanced optical design, using two extreme aspherical elements and three extra-low dispersion glass elements. While this lens is a few years old, it has not lost any of its power. We like to keep it a small group so we can engage together. Still, this will not be the case for every shooter, and if you’re more of a bright sunshine or midday-shade kind of portraitist, you may find that f/2.8 (or, rather, f/5.6) is plenty sufficient. And in fact on this front the Sigma Art outdoes even the amazing G-Master 85mm – and yet somehow delivers this at a considerably lower price. Subscribe to our newsletter and learn how to take awesome photos, and get tons of free stuff to make it faster, and easier! Required fields are marked *. But if you’re looking for outstanding sharpness at f/1.4, and AF-speed is a top priority, some of the other options we list here might be more to your liking. The a7iii has revolutionized the way people are taking photographs. Another slight downer is that autofocus performance – while passable – is a little lackluster when compared with some of the other 85mm options we look at here. When it comes to zoom lenses this is what I suggest: Sony FE 12-24mm f/4 G (Amazon, B&H)Sony FE 16-35mm f/2.8 GM (Amazon, B&H)Sony FE 24-70mm f/2.8 GM (Amazon, B&H)Sony FE 70-200mm f/2.8 GM OSS (Amazon, B&H)Sony has the entire range covered, and the zooms and AF combine perfectly with the a7/a7 series of cameras. The lens is also fully resistant to dust and moisture thanks to its mixture of standard sealing and mount sealing, making it ideal in harsher environmental conditions. And this is where lenses of a focal length of 85mm (or thereabouts) really come into their own. If you care about photography beyond simply recording memories, then image sharpness is always going to be one of the most important considerations when choosing a lens. It also has the added advantage of blurring the background so that the viewer concentrates solely on the subject. Best Sony lenses 2021 at a glance: Sony FE 24mm f/1.4 GM; Sony FE 16-35mm f/2.8 GM ... enabling you to lock out either short or long focus range and the optical stabilizer gains a third … Lensguide.io is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Basically, you get more features than the average lens. Sony NEX-5 with Sigma 30mm F2.8 EX DN lens. Best. Since there’s currently no native FE lens longer than the Sony FE 24-240mm F3.5-6.3 OSS, I’ve been getting lots of questions about what’s the best third-party 150-600mm super-telephoto zoom to adapt to E-mount for Sony a7RII.To answer that question, I headed to B&H Photo to put a trio of Canon EF-mount Super-zooms to the test: • Sigma 150-600mm f/5-6.3 DG OS HSM Sports Lens for … There is, however, some very evident color fringing at maximum aperture. And on this front the 100mm f/2.8 delivers very nicely; creating beautifully smooth bokeh. Manually focusing with third party lenses on a Sony A7RII is not easy. UPDATED: October 14, 2020 / ORIGINAL: April 24, 2017. 1 - Sony FE 100mm f/2.8 STF GM OSS. Blurring backgrounds is not just a question of degree though, but also about the quality of that blur. For anyone investing in their first full frame camera, the a7 III is arguably the best choice for anyone on a tight budget simply because of the vast array of third party lenses available. 5 Best Lenses For Wedding Photographers With The Sony A7III Published by Sam, Editor - 7th December 2020 Sony and other third-party lens manufacturers offer a wide range of lenses that are compatible with the Sony A7III camera. Tamron 28-75mm f/2.8 Di III RXD Lens (B&H, Amazon) It wasn’t long ago that … You’ll often see mention of “onion rings” and “cat’s eyes”; optical defects that most photographers prefer to avoid. And inevitably this moment occurs right when the quality of light reaches its most flattering for the subject. As of 2019, many manufacturers have come out with full frame cine lenses in the top range. Some lenses are so snappy and precise that autofocus is essentially instantaneous. Simply put, the wider the aperture, the more pronounced the bokeh will be. Pixel-peepers who want to be able to examine every facial pore at max-res might want to look elsewhere. Despite its flaws, this is undoubtedly one of the best lenses for the Sony a7III currently available. You will always get excellent images with phenomenal color, mesmerizing contrast, and unbelievable sharpness across the entire frame. What’s more, numerous great portraits have been shot on lenses both considerably longer and shorter than either of these ones too. Additionally, we participate in other affiliate programs and sometimes get a commission through purchases made through our links. Join today and get instant access! It will really boost the power of your photography by enriching all the features of both the lens and the camera. They are the best, though, so it's no surprise they are at the top of the list. And while the FE 85mm f/1.8 offers no image stabilization, bear in mind that, as a Sony a7III user, your camera does. You bet! And if what’s close to the lens is a person’s nose, or what’s further away is their feet, this effect is unlikely to be particularly flattering for the subject. Photo by: 'Albert Dros'. The Sony FE 90mm f/2.8 macro is a solidly manufactured lens that will withstand the rigors of daily professional use. let me know in the comments! 12mm on the Sony A7RIII. September 30, 2020 by Photography Concentrate Team Leave a Comment. While the 90mm’s out of focus rendering is nothing to get too excited about, it is nonetheless perfectly attractive and will be unlikely to offend the eyes of even the most demanding of bokeh fanatics. What’s more, despite 9 rounded aperture blades, out of focus rendering is perhaps a little busier than with some other of Sony’s offerings. When paired with the a7iii, all these features are advanced even more. In short, for anyone wishing to shoot portraits on the a7III, there’s currently plenty of great glass to choose from. Sony FE 24-240mm f/3.5-6.3 OSS ($998): Able to cover everything from wide-angle to telephoto in a single compact form factor, the Sony FE 24-240mm f/3.5-6.3 OSS lens is a one-lens solution that can reduce baggage when traveling and maximize efficiency at busy events, and it is ideal for landscape, snapshots, portraits and travel where reducing luggage is a priority. There are still lenses out there better suited to street photography, indoor photography, real estate photography, and even telephoto lenses for landscape shooting. However, if you were ever inclined to do so, the fact that the Sigma 85mm f/1.4 is weather-sealed means it would likely survive the adventure – even if you don’t. The Sony FE 50mm f1.8 Lens is designed for photographers and videographers looking for a fast, full-frame prime. Admittedly there can be quite considerable variation in sharpness between different lens models when it comes to the edges of the frame; particularly when shooting wide open. If you had to get by with only one lens, it would be hard not to choose … It does this while still having fast and precise AF for the best performance and the most professional reliability. While Sony Mirrorless users may not have access to the same wide range of optics as Canon and Nikon DSLR shooters, the brand’s line of E-mount lenses continues to expand at a rapid pace. In a hurry? the way in which a lens renders out of focus areas of an image – will likely prefer to go for a lens with a fast maximum aperture. Needless to say that with its stunning image quality and range of powerful features, it’s a camera that is particularly well suited to portraiture. There’s also a handy snap-action MF-select ring, for switching over to manual action (although rather than offering true mechanical manual focus, as with almost all lenses for the Sony a7III, this functions via a focus-by-wire system). The a7iii is undoubtedly Sony’s most famous camera currently on the market. Autofocus is silent and snappy, and while use of the ubiquitous focus-by-wire system means that there are no hard stops when focusing “manually,” the focus ring nonetheless provides nice dampened action. For the average portrait photographer, however, corner sharpness is at worst irrelevant, and perhaps even an advantage; making for images that emphasize the subject’s face and reduce the background to a total blur. Portrait photographers usually fall into one of two main categories (although some of course straddle both). But they are only available in 72mm, are large and heavy, and expensive. Less positively, there’s some very evident purple fringing when the lens is used wide open. This being the case, the only real way to know whether a particular lens renders out-of-focus areas in a manner that you find aesthetically pleasing is to try it out in a number of different shooting situations. Save my name, email, and website in this browser for the next time I comment. You can view below or read at great length about testing here. Overall though, if you’re the kind of portrait photographer who is more interested in capturing a fantastic likeness of your subject than in producing the most optically perfect image possible, the Sony FE 85mm f/1.8 does a great job at an attractive price. If you’ve already gone through our list of the best portrait lenses for the Sony a7III above, however, you will likely have noticed that in addition to several 85s, our recommendations range from a “nifty fifty” (well, actually a 55mm) all the way through to one with a focal length of 100mm. It has an incredible focus area and is probably one of the best 24-105 zoom lens to use with the a7iii. For a landscape or night-sky photographer – who will typically want edge-to-edge sharpness – soft corners will be a dealbreaker. Portraits with a 55mm? The smaller of Sony’s standard lenses, the Sonnar T* handles beautifully and is very lightweight. You simply cannot capture the same type of stunning panoramas with your a7iii unless you have this lens equipped. This is because it blends remarkable optical quality with a consistent F4 max aperture throughout the entirety of the zoom range. Probably the best are the Raynox DCR-5320PRO, which comes as a 2 diopter 2 element lens, a 3 diopter 3 element lens, and can be stacked to give 5 diopters. The Sigma 85mm f/1.4 Art is a beast of a lens, and make no mistake. Caleb Pike of DSLR Video Shooter covers a few third-party batteries designed to work with the A7III, helping you determine which battery you should invest in. AF is also super silent and lightening fast, and face-tracking works excellently.Â. Your options for an F2.8 zoom range from affordable, but quality, third-party options like the Tamron 28-75mm F2.8, midrange zooms like Sigma's 24-70mm F2.8 Art, and pro lenses like the Sony … These five lenses are just the tip of the iceberg when it comes to options for the Sony a7iii. 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